Berlin Foreign Picture Pageant
Shanghai IFF
Shanghai, / founded in 1993
The largest film festival in China (its only serious competitor in the area is the Beijing Film Festival), which starts annually noisy . summer. The show is relatively young (in 2014 it occured limited to the 17th time) possesses an extremely extensive program. It contains a world fiction film competition, the place that the jury chooses the best picture (it may be worth noting that Russian directors have received the primary prize already twice), the most beneficial script, the ideal camera work, the best director, actor and actress, awards the Grand Prix and issues an award for outstanding artistic achievements in neuro-scientific editing, make-up, etc.; the Asian New Talent Award, the name of which speaks for itself; MOBILE SIFF competition; a sizable non-competitive collection of international cinema; SIFF Mart and SIFFORUM sections.
The MOBILE SIFF program grew from the previously existing international competition for student short films and, in accordance with the organizers, should interest novice filmmakers. Besides feature short films, but also documentaries and animation films can engage in the struggle for prizes.
The scope of events while in the SIFF Mart (film market and pitching) and SIFFORUM (lectures, seminars, round tables, master classes) is usually assessed with the figures given by the organizers. According in their eyes, in 2013, 819 companies entered the film market (42% from abroad), and 244 applications were submitted for pitching, 29 of of shortlisted and at last received financial support.
Moscow IFF
Moscow, Russia / founded in 1935
MIFF, one of many oldest film festivals on this planet, is currently held annually following June. The key competition from the festival, where the primary prize, an exclusive jury prize and prizes for top level directorial work and of men and women roles, are awarded, is renowned for the point that the films included there by little-known directors from not the favourite cinematographies can baffle even seasoned film critics. The organizers admit it's useless to compete in the representativeness of the competition with an increase of authoritative European festivals, and report that searching for new talents be regarded as one of the many goals with the MIFF. The previously existing program of debut, search and experimental works "Perspectives", however, in 2013 was replaced by a short film competition; recently, the documentary competition has returned to the Moscow International Film Festival.
Competitive screenings are complemented by retrospectives, topical international cinema that already have attended other A-class festivals, and a great program of documentaries called Free Thought. Recently, the MIFF has additionally been organizing the Moscow Business Square business platform, through which in 2014 in excess of 500 film industry professionals from different countries were to take part.
Karlovy Vary IFF
Czech Republic, Karlovy Vary / founded in 1949
The Honored Czech IFF, which traditionally opens at the begining of July and definately will celebrate its 50th anniversary batch that we get, is interesting primarily since it is focused on the cinema of Central and Eastern Europe, the Balkan Peninsula and the first sort USSR. It's not surprising that Russian films regularly can be found in all competition programs shipped to by the organizers: the non-specialized main competition (for example, in 2014, Angelina Nikonova's Velkam Khom was shown here), the East with the West program (Ivan Tverdovsky's Correction Class), competitions independent and documentary ("Term" by Pavel Kostomarov, Alexander Rastorguev and Alexey Pivovarov) cinema. Each section possesses his own awards, https://antenaweb.info/ (antenaweb.info) and most of them accompany tangible cash prizes. Russian films as well as compilers of out-of-competition programs that provide fresh international, experimental and radical films are usually not overlooked.
The organizers with the Karlovy Vary IFF in addition provide an opportunity for directors from Eastern Europe and the previous USSR to give projects in production or post-production to distributors and selectors of other international festivals. Due to this, special pitchings Works in Progress (feature films) and Docu Talents from the East (full-length documentaries) are organized.
