15 Most Prestigious Film Festivals On Earth

The thought of "category A festival" is not formally defined, but this is one way prestigious international shows having a non-specialized competitive program are traditionally called.

The majority of the major and prestigious film festivals are accredited through the International Federation of Film Producers Associations (FIAPF). FIAPF was formed the government financial aid 1933, and from now on it offers 34 associations (including the Guild of Russian Producers) from 29 countries. Besides the "licensing" of festivals, FIAPF's area of ​​interest includes the business of the regulation and dangerous work processes while in the film and television industry: modernization of copyright legislation, fighting against piracy, the creation of digital technologies, standardization, work using the media, etc. With the issuance of FIAPF accreditation, the concept of "class A" festivals (that is, the favourite, status events) is associated, which has already become conditional, but continues to preserved inside the journalistic dictionary. It is actually understood that such festivals are locked in countries where there exists a long-term cinematic tradition, possess a non-specialized competition for a minimum of 12 full-length films (usually premieres and not engaged in competitions of other international film festivals) from different countries, an international jury and official support from the state of hawaii level. There might be no greater than one "A" class festival in almost any given country.

Berlinale
Berlin, Germany / founded in 1951

The initial class "A" festival while in the FIAPF calendar, starting during the early February, is all at once the most significant (and probably the favorite while in the world). The Berlinale level of competition is being formed to ensure a large representation of European cinematographies. It is additionally thought films shot in the traditional manner and films with political themes will be more often selected here.

Curators compose individual programs presented within the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who battle to end up in the chief competition is probably included in the decreased programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema is shown in the opposition of your Berlin Festival (remember Boris Khlebnikov's Long Happy Life) and https://greenhornfestival.com/ (review) in programs on the lower rank (recent films by Alexei Mizgirev and Anna Melikyan).

The Berlin Film Festival also hosts the extremely large European Film Market, comparable in size to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films on the market) along with a co-production market. They don't overlook the advancement of young talents, inviting these phones have fun playing the projects Berlinale Residency (a three-month residence in Berlin having a scholarship of 1,500 euros for directors or screenwriters, who're helped by experts to get projects to mind) and Berlinale Talents (short-term training programs for annually recruited categories of film school students from round the world).

Festival de Cannes
Cannes, France / founded in 1946

Cannes is considered the most reputable (though not the oldest) film festival for the planet. This can be very difficult to get here, but this type of opportunity, as practice shows, always remains. An inexperienced director, obviously, ought not seriously rely on coming into the primary programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. In addition to the above, the parallel program "Directors Fortnight", which was published through the French Guild of Film Directors way back in 1969, has become well known and quite often ends up being no less interesting than the chief competition.

The respectful attitude of Cannes towards the Soviet and Russian cinematic tradition is manifested at the very least in the fact that the festival website and the leading documents required for filing a credit application are translated into Russian. It's not necessary to go far for degrees of Russian films that received awards in Cannes: this current year the prize for top level script was awarded to Andrey Zvyagintsev's Leviathan, and in 2012, Taisiya Igumentseva took the primary prize on the Cinefondation competition (since the Cannes rules call for a screen full-length debut of the winner, the next picture of Mrs. Igumentseva has also been shown at the festival, albeit outside of competition).

One of the most prestigious festival, naturally, managed to find the largest film market. In 2014, over 11,000 professionals arrived at France, representing about 5,000 companies from 116 countries. 5,200 films were presented at the film market, 960 of which had screenings (in most all cases, premieres).