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15 Most Prestigious Film Festivals On Earth
The concept of "category A festival" isn't formally defined, but this is why prestigious international shows which has a non-specialized competitive program are traditionally called.
The vast majority of major and prestigious film festivals are accredited with the International Federation of Film Producers Associations (FIAPF). FIAPF was formed in 1933, and now it provides 34 associations (including the Guild of Russian Producers) from 29 countries. Along with the "licensing" of festivals, FIAPF's part of interest includes the process of the regulation and regulating work processes inside the film and tv industry: modernization of copyright legislation, slowing piracy, the development of digital technologies, standardization, work with the media, etc. While using issuance of FIAPF accreditation, the concept of "class A" festivals (that is, the most famous, status events) is associated, which has become conditional, but remains preserved from the journalistic dictionary. It is actually understood that such festivals are stuck countries where there exists a long-term cinematic tradition, have got a non-specialized competition that is at least 12 full-length films (usually premieres rather than taking part in competitions of other international film festivals) from different countries, an internationally jury and official support from their state level. There are not more than one "A" class festival in almost any given country.
Berlinale
Berlin, Germany / founded in 1951
The initial class "A" festival inside FIAPF calendar, starting during early February, actually is at the same time the single most significant (and most likely the favorite while in the world). The Berlinale level of competition is being formed to make certain a broad representation of European cinematographies. It's also belief that films shot inside traditional manner and films with political themes will be more often selected here.
Curators compose individual programs presented within the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who to be able to go into the key competition may well be in the decreased programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema had been shown in competition of the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) and programs on the lower rank (recent films by Alexei Mizgirev and Anna Melikyan).
The Berlin Film Festival also hosts the extremely large European Film Market, comparable in dimensions to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films on the market) along with a co-production market. They cannot forget about the progression of young talents, inviting these to be in the projects Berlinale Residency (a three-month residence in Berlin using a scholarship of 1,500 euros for directors or screenwriters, that are helped by experts to have projects to mind) and Berlinale Talents (short-term training programs for annually recruited groups of film school students from throughout the world).
Festival de Cannes
Cannes, France / founded in 1946
Cannes is the most reputable (though not the oldest) film festival for the planet. It's very hard to find here, but this type of opportunity, as practice shows, always remains. An inexperienced director, naturally, should not seriously expect getting into the main programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Besides the above, the parallel program "Directors Fortnight", https://greenhornfestival.com/ (https://greenhornfestival.com) which was launched by way of the French Guild of Film Directors last 1969, has grown to be reputed and infrequently actually is believe it or not interesting than the leading competition.
The respectful attitude of Cannes on the Soviet and Russian cinematic tradition is manifested at the least in the belief that the festival website and the chief documents needed for filing a software are translated into Russian. You won't need to go far for degrees of Russian films that received awards in Cannes: in 2010 the prize for top level script was awarded to Andrey Zvyagintsev's Leviathan, plus 2012, Taisiya Igumentseva took the leading prize on the Cinefondation competition (since the Cannes rules need a screen full-length debut of the winner, another picture of Mrs. Igumentseva was shown within the festival, albeit beyond competition).
The most prestigious festival, naturally, had been get the largest film market. In 2014, above 11,000 professionals came to France, representing about 5,000 companies from 116 countries. 5,200 films were presented at the film market, 960 of that have screenings (in many examples, premieres).