Due to an influx of spam accounts getting through and joining the site, user registrations have once again been disabled until further notice as we work on a different solution.

15 Most Prestigious Film Festivals On The Earth

The concept of "category A festival" just isn't formally defined, but this is how prestigious international shows by using a non-specialized competitive program are traditionally called.

A lot of the major and prestigious film festivals are accredited from the International Federation of Film Producers Associations (FIAPF). FIAPF was formed last 1933, and after this it contains 34 associations (including the Guild of Russian Producers) from 29 countries. Along with the "licensing" of festivals, FIAPF's division of ​​interest includes the process of the regulation and dangerous work processes inside film and tv industry: modernization of copyright legislation, fighting piracy, the creation of digital technologies, standardization, work while using media, etc. With the issuance of FIAPF accreditation, the idea of "class A" festivals (that is, the favourite, status events) is associated, which has become conditional, but is preserved within the journalistic dictionary. It's understood that such festivals are residing in countries where you will find there's long-term cinematic tradition, have a very non-specialized competition for at least 12 full-length films (usually premieres and not participating in competitions of other international film festivals) from different countries, a global jury and official support from hawaii level. There can be only one "A" class festival in almost any given country.

Berlinale
Berlin, Germany / founded in 1951

The first class "A" festival while in the FIAPF calendar, starting in early February, actually is concurrently just about the most significant (and possibly the most visited inside the world). The Berlinale competition is being formed to be sure a broad representation of European cinematographies. It is additionally thought films shot in the traditional manner and films with political themes will be more often selected here.

Curators compose individual programs presented in the festival independently, without considering applications from outside. Nevertheless, films of less experienced directors who battle to go into the primary competition may be within the shorter programs Panorama (international art house cinema), Forum (experimental films), Generation (children and youth films ), Berlinale Shorts (short film). New Russian cinema had been shown in your competitors in the Berlin Festival (remember Boris Khlebnikov's Long Happy Life) plus programs of any lower rank (recent films by Alexei Mizgirev and Anna Melikyan).

The Berlin Film Festival also hosts the extremely large European Film Market, comparable in proportions to Cannes (last year, the organizers claim over 8,000 participants from 107 countries showing 784 films for the market) along with a co-production market. They just don't forget about the development of young talents, inviting the theifs to have fun playing the projects Berlinale Residency (a three-month residence in Berlin with a scholarship of 1,500 euros for directors or screenwriters, who are helped by experts to create projects to mind) and Berlinale Talents (short-term training programs for annually recruited groups of film school students from across the world).

Festival de Cannes
Cannes, France / founded in 1946

Cannes is among the most reputable (though not the oldest) film festival to the planet. It is rather nearly impossible to find here, but such an opportunity, as practice shows, always remains. A newbie director, obviously, should not seriously depend on stepping into the leading programs (the main competition, "Special Look", special screenings, out-of-competition section), but lower-ranked programs - "Cinefondation" (student films), short films competition are relatively accessible. Along with the above, the parallel program "Directors Fortnight", https://greenhornfestival.com/ - Going On this site, which was published with the French Guild of Film Directors back in 1969, has grown to be well regarded and they often ends up being no less interesting than the leading competition.

The respectful attitude of Cannes on the Soviet and Russian cinematic tradition is manifested at the very least in the truth that the festival website and the leading documents necessary for filing a credit card applicatoin are translated into Russian. You don't need to go far for examples of Russian films that received awards in Cannes: this season the prize for the best script was awarded to Andrey Zvyagintsev's Leviathan, along with 2012, Taisiya Igumentseva took the leading prize of your Cinefondation competition (since the Cannes rules have to have a screen full-length debut on the winner, your next picture of Mrs. Igumentseva was shown with the festival, albeit away from competition).

Essentially the most prestigious festival, of course, was able to buy the largest film market. In 2014, in excess of 11,000 professionals located France, representing about 5,000 companies from 116 countries. 5,200 films were presented for the film market, 960 of which in fact have screenings (in most cases, premieres).